Boomselection is hosting a great mix by the illustrious Soundhog. Entitled As Heard on Radio Soundhog Vol. 3, it’s mash-up start-to-finish.
This time around it’s from the Denver Post, Montana Kaimin, and the New York Times. It just doesn’t stop! Update: Toronto Star, too.
I almost missed this one in my email — IDC and Soundhog will be the flagship artists on new label Corsair Records. Here’s an excerpt from the mailing: The first two Corsair signings are artists of such talent that it belies belief that they have not had material officially released before. IDC and Soundhog, hailing [...]
I guess it was bound to happen, but the mainstream press is now reporting on Grey Tuesday. Read about it at E! Online. Update: Wired is carrying a story, too.
Another great bootleg producer, IDC, will be releasing IDC Boots the Bullys on 12″ vinyl. It will feature mash-ups of the Audio Bullys with Blur, Mike Skinner and the Stereo MCs. It should be available March 8th via independent record stores and mail order. Can’t wait to get a copy!
Amazing! Mash-up god Go Home Productions is set to release the Pistol Whipped EP on March 1st through Half Inch Recordings. It will be available on limited edition 12″ white vinyl and will feature 5 mashed-up Sex Pistols tracks: Ray Of Gob (Radio Edit 2004) Problems At The Gay Bar No Feelings 4 Cher Ray [...]
While perusing the shelves of Tower in search of the [yet to be released] Destroy All DJs mix CD on Cleopatra, I stumbled across Keoki’s Kill the DJ CD. Now I would typically despise Keoki, but curiosity got the best of me and I purchased it. Read on for my brief review.
In honor of Grey Tuesday, check out Byron Crawford’s review of Danger Mouse’s Grey Album.
Tune in, every Friday, for Stephen Van Dyke’s T4dW (Tunes for the Weekend). It’s a sort of round-up of GYBO (Get Your Bootleg On), “guaranteeing new music, fresh beats and funky downloads.”
Tuesday, February 24 will be a day of coordinated civil disobedience: websites will post Danger Mouse’s Grey Album on their site for 24 hours in protest of EMI’s attempts to censor this work.